The pupils snapped up their dispatch cases .sx They fumbled for their umbrellas , and off they went , clattering down the steep stone steps , chattering :sx `Well , wasn't he good this evening ?sx ' `Musn't it be marvellous to have all those ideas ?sx ' Even Loram , the jeweller , with masculine restraint , conceded `Brilliant fellow .sx Very .sx Expect we shall hear more of him one day .sx ' Whatever else Johnson might do for his pupils , he certainly gave them a sense of vitality .sx His enormous physical gusto invigorated them .sx He made them feel that life was full of exciting possibilities ; he made them feel that they were in close contact with a cultured mind .sx In his search for culture and beauty , Johnson had acquired almost every kind of outline and selection that modern publishers' advertisements could recommend .sx On his shelves were Outlines of History , Science , Philosophy and Religion ; Literature was served up to him in the Hundred Most Famous Stories of the World , in the Thirty-Seven Forms of the Plot , and the Dictionary of Literary Characters .sx He knew the characteristics of Mr. Micawber and Paul Dombey without having read a word of Dickens .sx He could adorn his tales with classical allusions and paint his morals from great fiction of the Continent .sx All modern labour-saving devices for recognising allusions to Cervantes , Bellerophon , Cicero and Ella Wheeler Wilcox lay at his elbow , and if in the course of his headlong gallops through history , science , literature and religion , he sometimes misplaced an island , or swept an artist or composer into the wrong century , who among his audience was to question him ?sx And , if challenged , had he not his perfect justification ?sx `Dates ?sx ' said Johnson .sx `What are dates ?sx An arbitrary division of time invented for the convenience of unimaginative men .sx 'Smy belief that in the future you'll never stop to bother about the date of this A.D. or that B.C. If you want facts an' dates , hop along the Strand to Somerset House .sx You'll get 'em there .sx You'll get nothing else .sx Dead stuff , I say .sx Dead stuff .sx I give you living knowledge .sx I give you Beauty - The Eternal Quest .sx The Eternal Question .sx I give you the key to the Universe .sx Culture -' .sx His breast expanded to the thought of culture and his eyes glowed .sx He soared high on the wind of his own words .sx His borrowed Americanisms infected him with a Great Glad sense of Pep and Progress .sx He forgot the unfortunate slump in Bolivian Minerals , the return of his latest scenario from his agent , with a brief note to say that they had exhausted all possible markets , the gnawing worry of accumulating debts , and the thought that Mollie was going to have another child .sx It was so like Mollie to hang always a little behind his evolution .sx When he met her he was floundering splendidly in the shallows of a Back to Nature Phase .sx He had been working on a pioneer film of the `Covered Wagon' type , and saw himself as the strong , virile man in the sheepskin coat , accompanied by his broad-hipped , broad-bosomed woman , mother of many children .sx Mollie had indeed followed him with daring confidence to the experimental pioneer life in a two-roomed flatlet at Haverstock Hill and their first child arrived with flattering promptitude .sx Johnson invented quite fascinating theories about child psychology and infant education .sx But after cluttering the living room with coloured cubes and squares intended to teach the small thing how to appreciate tone and form values , he retreated to the office in Essex Street , and finally rented the flat in Battersea .sx For the Haverstock Hill establishment cramped not only his educational system , which required a background of great open spaces , but also his style of thinking , since a creative artist cannot afford broken nights with a wailing child , and days wasted in nursery disorder .sx It was just then that he met Delia and began to create for her a scenario of London and Paris night life , with a background of cocktail parties and orchids and fashion shows and the Croydon Aerodrome .sx Delia complicated everything , for Mollie grew less and less like his ideal Soul Mate the more she fulfilled the role he had designed for her .sx Johnson began to realise the difference between the economic situation of the pioneer patriarch , enriched increasingly by each addition to his family , and the city father , whose more numerous offspring simply result in larger bills .sx Moreover , Delia was extravagant .sx The best alone was good enough for her .sx Johnson began to feel " a little tired of her .sx His imagination was already turning towards a new enchantment and the thought of a long epic poem embodying the Dream Woman of the centuries .sx For he had met another woman , the perfect fulfilment of all his ideals in one .sx Strong as a pioneer , sophisticated as a cocktail , majestic , confident , splendid and conquering , Gloria St. Denis .sx Because he was feeling good after the lecture , warmed with the heady wine of his own eloquence , Johnson let his thoughts dwell upon her - her slow indifferent smile , the rich curving lines of her body , her fund of admirably chosen anecdotes .sx He was thinking of her when he heard a knock on the door .sx He glanced up , suddenly a little pale , for behind his rapturous dreams lurked the smothered subconscious worry of his financial difficulties .sx There were so many visitors whom it might be inconvenient to receive .sx He sat for a moment , wondering if the caller would go away if he kept quite still and pretended that he had left the office .sx But the knock came again , and the voice of Mrs. Franley , the office cleaner , shouted :sx `Mr .sx Johnson , Mr. Johnson !sx ' `Oh , come in , Mrs. Franley,' he cried , relieved .sx `I've been taking a class and I'm a bit late .sx ' `There's a young lady to see you , Mr. Johnson .sx I told her it was past your hours , but she said she saw your light in the window and knew you was still here , and she won't go away .sx ' `The devil she won't !sx ' thought Johnson .sx `Who is it ?sx ' he asked .sx `Anyone you know ?sx ' `Not that I know of .sx Not one of your regulars .sx ' `Oh , all right , all right ; if you're going down you might ask her to come up .sx It's probably someone come to join the school .sx ' But within himself he thought that it was more likely to be Delia .sx They had had a tiff two nights ago at Pinaldi's .sx He had ordered the three shilling table d'hote in an unwonted panic of economy , and she , with angry hauteur , had messed up the hors d'oeuvres with her fork and declared she never saw such muck in her life .sx What did he take her for ?sx A servant girl on her night out ?sx What did he think she wanted to eat :sx Herring bones in oil and some vegetables saved from other people's plate-sweepings ?sx And up she got , and into her fur coat she wriggled , and out of the building she flounced , the little devil !sx Johnson had been left to pay , without rancour , the bill for her uneaten dinner .sx It would be just like her , he thought , if she came again to-night , and nestled up to him and begged him to take her to that nice , nice restaurant where the hors d'oeuvres were made of herring bones and all the waiters had flat feet .sx Well , well , he wouldtake her if she asked him , for in a melting kittenish mood she was delicious .sx But the girl who came nervously through the open door was neither the petted Delia nor the splendid Gloria .sx She glanced with scared , red-rimmed eyes through her pince-nez , and clutched a shabby dispatch case as though it contained the secret of the universe .sx She was like the thousands of girls whom Johnson saw swinging daily down to City offices on trams and buses , narrow-chested , drooping , creatures with mud-splashed stockings , unbecoming brown felt hats and deplorable coats trimmed with worn fur .sx She looked at Johnson as though she thought that he might swallow her .sx `Mr .sx - Mr. Johnson ?sx ' `At your service,' he bowed , with his theatrical exaggeration .sx `And what is there that I can do for you ?sx ' `You won't know my face,' she stammered .sx `But you will know my name .sx It's Miss Weller .sx Doreen Weller .sx ' A faint recollection of some slight discomfort stirred at the back of his mind .sx `I'm very pleased to meet you , Miss Weller .sx This isn't the time I generally see clients , you know , but I stayed a little late after a special tutorial class , and as you are here , you might as well tell me what I can do for you .sx Sit down , won't you ?sx ' She sat , drooping and unattractive , while he tried to remember which of the stupid girls who wrote to the school from time to time she might be .sx `Mr .sx Johnson,' she said at last , with a sort of desperate rush .sx `Why don't you answer my letters ?sx ' `Ah , letters !sx letters !sx There , my dear young lady , you unhappily hit upon one of my congenital failings .sx I can't answer letters .sx I mean to .sx I mean to .sx I compose in my head wonderful phrases to dictate to my secretary .sx And they just fade away .sx They fade away .sx ' `Yes , yes,' she interrupted .sx `But what about my novel ?sx What's happened to my novel ?sx ' And without warning Miss Weller dropped her face in her hands and began to cry .sx He stared at her with increasing disgust , but his voice was bracing and avuncular .sx `Now , now , you're tired , I expect .sx What's gone wrong , eh ?sx Oh , you city girls !sx You city girls .sx It's a sin - forcing the sweet flower of girlhood to fade in the dark offices .sx Distorting the natural function of womanhood .sx Now try to pull yourself together and tell me what's the trouble .sx ' Who the devil was she ?sx What the devil was she ?sx Miss Weller removed her pince-nez and dabbed her streaming eyes .sx Johnson rose from his chair by the desk and began to walk the room with a lecturer's strides , giving her time to recover her composure .sx `We call it progress , ye gods :sx we call it progress .sx We force our women to do things they were never meant to do .sx We wrench 'em away from their sacred tasks .sx We waste their lives .sx We waste their lives .sx And we call it progress !sx ' `But , Mr. Johnson,' gulped the girl , past all concern for the welfare of her sex .sx `I must know about my novel .sx ' `Well , now , Miss Weller , I confess I don't at the moment recall exactly what it is about this novel .sx ' He had to go carefully , for the girl might have a real grievance .sx She might even , disquieting thought , have a legal case .sx It happened that Johnson was not only the director of the Anglo-American School of Scenario Writing .sx He was also proprietor of the Metropolitan and Professional Correspondence School of Journalism .sx This school had been for a time a lucrative little venture .sx Johnson ran it with the aid of a man called Osborne , a broken downjournalist , a clever man but irresponsible and an intermittent and furious drinker .sx The correspondence school conducted its beneficient operations along the simplest lines .sx Johnson inserted from time to time in various papers his characteristically ingenious advertisements .sx `Every Man , Woman or Child can sell at least One Story , if they know how .sx ' `There would never have been a Mute Inglorious Milton if he had known the Metropolitan and Professional .sx ' `You can make people laugh and cry and make them pay you for it .sx ' `Manuscripts read free .sx ' And so on .sx In response to these advertisements from Bath and Huddersfield , Peebles and Penzance , came poems , short stories , essays , plays and scenarios .sx To each correspondent Johnson dispatched , after a suitable interval , his standardised reply .sx The work submitted , he declared , was hardly marketable , but it showed undoubted promise .sx The one thing needed to enable the writer to produce saleable stuff was an intensive study of his little volume `How to make threepence into three thousand pounds,' to be obtained from the school at the trifling price of six and six , post free .sx As a matter of fact , the school had been designed largely as a convenient way of turning to profit the 1,786 remainder copies of his book which Johnson had been forced under his contract with his publisher to purchase .sx